Mr. GnG Deliver a Thunderous, Unforgettable Performance With the Album After Us, the Flood
- STAFF
- 2 days ago
- 5 min read
By: Staff
Relentless, musically masterful, and emotionally raw—Mr. GnG raise the bar with every second of After Us, the Flood.
After experiencing the brand-new release of the album After us, the Flood by the incredibly impressive band Mr. GnG, we couldn’t wait to share what we found. As soon as we heard there was a music video for the track “Paralyse” featuring Rudy Ayoub, we headed to YouTube—and we were blown away.
The visuals of “Paralyse (Ft. Rudy Ayoub)” open with lead vocalist, guitarist, and bassist Ishan Dave set against a backdrop of total desolation: a broken-down, sun-scorched motorhome in the middle of the desert. Shots cut between him inside and atop the vehicle, guitar in hand, as the song’s entrance erupts—dramatic, thunderous, and unrelenting. The video captures drummer and keyboardist Abhilash Sreekumar pounding away in the same barren wasteland, his explosive performance mirroring the track’s start-stop intensity. It's probably one of the heaviest openings we’ve heard this year—laced with a cinematic, almost Broadway-level drama. The pounding piano lines layered in add grandeur, while contrasting visuals of the band on a rooftop, dressed sharply and with a polished energy, add striking duality.
From the first second, “Paralyse” announces itself with a diamond-studded entrance, obliterating the idea of a standard red carpet. It’s thrilling, aggressive, and completely captivating.
When Dave’s guitar screams out and Sreekumar’s snare begins to detonate like artillery, it becomes clear: this is not just a song, it’s a ride. And just when we thought we were catching our breath, the video shifts to night scenes and urban visuals, spliced with high-velocity guitar runs that demand headbanging. The synergy of speed, precision, and intensity is a masterclass in audiovisual immersion. The adrenaline? Maxed. Your pulse quickens. Mr. GnG doesn't just perform—they ignite every sense. And we honestly could’ve stayed in this intro for another hour—and still been completely hooked.
Then, the vocals crash in with commanding force:
“I’m running out of time / desperate to redefine”
It’s a knockout. A dramatic pause spotlights the line, and Dave’s delivery is nothing short of a spectacle. The sheer power in his voice could register on the Richter scale. His emotional range and stage presence are volcanic.
What elevates this even further is the synergy between Dave and Sreekumar. Both artists radiate passion and intentionality. There’s no autopilot here—every strike, every note is handled with conviction. Their professionalism and raw artistry are on full display, mirroring the essence and intensity of the song itself.
Vocally, this track is stacked with moments that hit far beyond technical perfection. It’s gritty, authentic, and true to the soul of rock ‘n’ roll. Take the line:
“What I need in life / before I end it right”
This was a moment that stopped us in our tracks. It builds from a guttural growl into a near-plea—an impassioned, fully realized declaration. A clear standout, it cements Dave not just as a singer, but as a performer of the highest caliber.
Lyrically, we were hooked. Lines like:
“should have put another sucker on the line”
burst with attitude and swagger—perfect for the genre and executed with unapologetic confidence. The charisma is undeniable.
But this vocal power sits on a foundation built by Sreekumar’s phenomenal drumming. His performance is blistering—relentless in speed, yet precise and tight. The fills are jaw-dropping, adding dynamic tension that makes the track feel like it’s rocket-fueled. Together, these two deliver a performance that feels nitrous-charged and impossible to look away from.
The video itself is a triumph, with visuals that heighten and echo the song’s emotional momentum. From rapid-fire edits to moody, colorful frames, to shots of the band simply existing with quiet charisma—it’s all crafted to make you feel something. And it does.
Then comes the solo. When Ishan Dave unleashes his guitar, it's spellbinding. The clarity of tone, the variation—from piercing squeals to long, aching notes—makes it a world-class display of guitar mastery.
As the song progresses, it never lets up. From brilliant lyricism to the dynamic rise and fall of intensity, to clever visual editing—even the dusty, Breaking Bad-style motorhome brings meaning. Everything is intentional. Everything hits.
When guest guitarist Rudy Ayoub enters, it’s a moment that will imprint itself on the mind of any metal fan. His solo is blistering and expressive—scaling from orchestral grandeur to searing, high-flying lines that soar like a hawk above the storm. It’s not just technically perfect—it’s emotionally resonant. A highlight, and a brilliant decision to feature him.
After us, the Flood is more than heavy. It’s masterful. And the range on display proves that Mr. GnG can operate in any genre with authority. Case in point, the track: “Shimona.” This track strips things back, opening with a gentle, piano-led intro. Here, Dave sings with a tenderness that pours straight into your chest. The delivery is soft but charged with emotion, framed by harmonies and delicate, acoustic-tinged guitar work. It’s a love song, but one with emotional complexity and real-world weight. The runs soar, the harmonies caress, and the message lands. It’s stunning—and proof of this band’s breadth.
Then there’s “The Melody SongIV: One Way Street.” This track wraps the album with an acoustic intro, swirled in ambient wind. It quickly shifts into an interlude where Dave’s vocals once again take center stage. And this time, he’s laying down technical perfection—soaring vocal runs, a crisp tone, and pitch control that’s textbook. Paired with another standout drum performance from Sreekumar, it builds into a climactic, spine-tingling finale. The final moment crashes back into heavy metal territory, tying the album’s arc together perfectly. It’s a full-circle moment—and a brilliant one.
Massive kudos to the engineering and production team—this record is sonically pristine and deserves global reach. Mr. GnG isn’t just a band to watch. They’re already here, already elite—and this album is proof.
We were thoroughly impressed by every member of Mr. GnG and their featured guest on this album. Each performance was executed with precision and passion, resulting in one of the strongest releases of the year.
After Us, the Flood doesn’t just stand alongside major label albums—it rivals them. From raw, unfiltered growls to delicate acoustic moments, it's a powerful display of talent, versatility, and emotional depth. We absolutely loved it.
A blistering triumph, Mr. GnG’s After Us, the Flood is a towering moment of rock excellence.
Mr. GnG, hailing from Ahmedabad, India, brings a fearless emotional charge and meticulous musicianship to their sound. The band is led by Ishan Dave, who handles lead vocals, guitar, and bass, alongside Abhilash Sreekumar on drums, keyboards, and backing vocals, with a standout guest appearance by featured guitarist Rudy Ayoub.
Their latest album After us, the Flood was brought to life with a focused studio process that leans into both raw intensity and refined production, showcasing a commitment to honesty and sonic clarity. Credit is due to everyone behind the boards who helped shape the album’s distinct sound—from engineering to the final mastering pass.
Reflecting on the meaning behind the title, Dave shares, “It’s about confronting the darkness and not looking away.” Mr. GnG plans on releasing new music later this year. We can’t wait to hear more from Mr. GnG.
You can find this release on any major platform—make sure to playlist, stream, and share "After Us, the Flood" by Mr. GnG.